Rollingstone.com has a slideshow gallery of photos spanning 15 years of Radiohead. Check them out!
Flying Lotus performed a remix of Radiohead’s “Idioteque” last Friday at the Ann Arbor Film Festival after party at the Blind Pig. Flying Lotus, as you probably know, will be supporting Thom Yorke/Atoms for Peace in next month’s tour.
Today all of Radiohead’s albums have been made available to purchase on iTunes. Not only that, but they are available as “iTunes Plus” (read: no DRM). We’re sure the addition of Radiohead’s album catalog has everything to do with EMI’s release of “The Best of Radiohead” compilation, which is also available through iTunes today.
But wait! It appears that all of Radiohead’s music videos are available too. Make sure to check out the “Anyone Can Play Guitar” video if you’ve never seen it. So cringe-worthy, it’s great. I mean, who doesn’t love Phil and Ed dressing like bank robbers and Colin holding iguanas? C’mon!
(thanks to Rex)
Radiohead has been included in the Rolling Stone Greatest Albums of All Time. Surprisingly, The Bends(110) was placed before OK Computer(162) which you don’t see very often. Kid A was also named in the poll, coming in at 428. Here are the blurbs written for each one:
The Bends (110)
If the first half of the Nineties was shaped by Nirvana, the template for the second half was set by Radiohead. Though the 1993 smash “Creep,” from their debut, is itself indebted to Kurt Cobain, The Bends, their second album, is less angsty and more operatic, marrying a majestic and somber guitar sound to the virtuosic urgency of Thom Yorke’s vocals. Not yet shying away from guitar anthems, Radiohead draw on the grandeur of U2 and the melancholy of the Smiths and Jeff Buckley. “Fake Plastic Trees” was a radio hit, an introspective acoustic ballad of alienation. But elsewhere, the guitars roar and hiss, establishing Radiohead as the band to beat.
OK Computer (162)
Radiohead recorded their third album in the mansion of actress Jane Seymour while she was filming Dr. Quinn, Medicine Woman. OK is where the band began pulling at its sound like taffy, seeing what happened, not worrying if it was still “rock.” What results is a slow, haunting album with unforgettable tracks such as “Karma Police.” Said guitarist Jonny Greenwood, “I got very excited at the prospect of doing string parts that didn’t sound like ‘Eleanor Rigby,’ which is what all string parts have sounded like for the past thirty years. . . . We used violins to make frightening white-noise stuff, like the last chord of ‘Climbing Up the Walls.'”
Kid A (428)
Just when they seemed destined to become the next U2, Radiohead made this fractured, twitchy record. Despite esoteric nods to glitchy electronica (“Idioteque”) and free jazz (an eight-horn pileup in “The National Anthem”), they morphed those sounds into a surprisingly accessible elegy to tenderness — and had a hit anyway.
(thanks to Patrick)
You know Radiohead have made it now! Radiohead appeared last Friday in the New York Times crossword:
14 Across: 2001 Grammy-winning band for the album “Kid A”
(thanks to Eric)