While we are talking about collaborations, we should mention that Thom and Jonny recently collaborated with DOOM on a track called “Retarded Fren” for a compilation celebrating the 10th anniversary of Lex Records called Complex. The song samples “Proven Lands”, a track Jonny did for the There Will Be Blood score.
You can listen to the track over at Pitchfork
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If you haven’t seen it, check out the video of Modeselektor’s “Shipwreck” which is one of two songs off their new album, Monkeytown, that Thom Yorke collaborated on. Enjoy.
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Aaaand we’re back from a short break…
While we were gone, it was announced that Philip Selway would be doing a couple of solo shows in Oxford this month. The Radiohead drummer writes on Dead Air Space:
HelloNext month, on the 10th and 11th November, I will be doing a couple of shows of my solo material at The Pegasus Theatre in Oxford to mark the start of their 50th Anniversary. I’m a patron of the theatre and these shows are fundraisers to support the fantastic and really valuable work that Pegasus does in providing access to the creative arts for young people. It’s a wonderfully intimate place to see a show, so if you fancy coming along, I’d love to see you there. Tickets cost £25 and are available from my store here:
http://tickets.philipselway.com/Store/DisplayItems.html
Or the Pegasus ticket store here:
http://tickets.pegasustheatre.org.uk/Productions/Performances.aspx
X
Philip
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Thom Yorke and Ed O’Brien recently gave an interview with NPR’s Guy Raz and talked about the recording process for The King of Limbs:
Speaking recently with NPR’s Guy Raz about recording The King of Limbs, singer Thom Yorke and guitarist Ed O’Brien agree that, after coming off the long tour cycle for In Rainbows, the band was feeling exhausted and uninspired. To make the new album work, everyone had to slow down and step back.
“We had an initial session of about five weeks, and it was really like kids in kindergarten,” O’Brien says. “You had to simplify what you were doing — you couldn’t do loads of ideas. You had to listen to one another. Believe it or not, in a band you can lose that.
“Part of what you do is rejection,” O’Brien adds. “I think everybody finds it hard, but I think part of creativity is bouncing back from that. What’s great about the environment that we have is that no one ever says, ‘You can’t do that.’ You try it, and then it’s judged on whether it’s right for the track.”
Radiohead tried a new approach for The King of Limbs: Each member worked, piecemeal, on his own contributions before sharing them with the group. Yorke says working that way was a big gamble.
“Almost every tune is like a collage: things we’d pre-recorded, each of us, and then were flying at each other,” Yorke says. “You get to a point where you think, ‘OK, this bit needs a big black line through it.’ It’s like editing a film or something.
“I don’t think we really genuinely thought anything would come out of it,” he adds, “certainly not an entire record.”
Playing live presents its own set of challenges. O’Brien says that, as happy as he was with The King of Limbs upon its completion, the prospect of turning an intricate studio creation into a concert experience was panic-inducing.
“That’s the scary part — you realize that you have created in this vacuum, in this bubble,” O’Brien says. “It plays tricks on the brain.”
But Yorke says adapting the new material was liberating, as well.
“That’s one of the ways we move on musically, is having to force ourselves to learn this thing,” he says. “It’s a backward process, but it really exists in another way once you can actually play it.”
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Thom Yorke and Jonny Greenwood’s taped performance of “Give Up the Ghost” on Late Night with Jimmy Fallon aired last night. In case you missed it, you can watch it below.
Here’s another video of the performance that also includes the introduction that Jimmy Fallon did with special guest, Michael Stipe.
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